Wordless Wednesday – Jan 11 2016
Terrific Tuesday – Best Book to Movie Adaptations
Greetings and salutations!
Today I’m going to talk about some of my favorite book to movie adaptations – just like it says on the tin. I love books and I love movies, and when the two come together, it touches a chord in me that cannot be duplicated. I won’t tarry on a long-winded introduction: let’s get to the meat of the post, shall we?
What makes a book to movie adaptation terrific? If the movie captures the essence of the book, the characters and offers the same or improved ending from the book. Mind you, a terrific adaptation doesn’t necessarily mean the movie sticks as close to the book as white on rice, nor does it mean the movie leaves you with a terrific feeling. It just means that as a reader of the book, you’re satisfied with the spirit of the movie.
Here, in no particular order, are my top ten terrific movie adaptations.
We Need to Talk about Kevin – Tilda Swinton can make anything good. If you haven’t read the book yet, watching the movie gives you a taste of the awful foreboding of the book. You know something is going to happen, the question is just. when. This movie will not make you comfortable.
Jurassic Park – Now this movie was a bundle of fun for me. Yes, the book was a lot more techincal and dense to get through, but the screen writers managed to sprinkle in the genetics along side the breathtaking spectacle of the dinosaurs on scree. An excellent film that I watch every time it comes on television.
The Godfather – The book was good, but it did include a few side stories that detracted from the main narrative. The movie slashed and burned enough of those side stories and emphasized the family saga. It helped that the author, Mario Puzo, had a hand in writing the screenplay.
The Silence of the Lambs – What more can be said? The movie made me read the book, and I wasn’t disappointed.
To Kill a Mockingbird – The actors (Robert Duvall’s first screen role as Boo Radley), made the book come alive. The only person I missed in the movie was Calpurnia. Her part in the book seemed to be larger and wittier.
No Country for Old Men – The Coen Brothers helped bring Cormac McCarthy’s story to life. Both movie and book complement each other.
The Remains of the Day – I went to see this in the movies and I did have tears. Anthony Hopkins and Emma Thompson really bring Kazou Ishiguro’s story to life.
Wiseguy – I never met a gangster movie I didn’t like. Re-titled “Goodfellas”, the movie actually improves on the newspaper style reporting of the book and brings the characters to life in blooming color.
The Shining – While I did not care for the character death in movie, I really felt that Kubrick’s adaptation captured the essence (yes, that word again) of the book and the frightening visuals and hidden clues are quite effective.
Requiem for a Dream – This is a film that I never wish to see ever again. A gut-wrenching odyssey of three separate stories of drug addiction, Requiem for a Dream is a visceral experience that leaves the viewer stunned. The book is a little more “in your face” than the movie is, but both are effective.
Rita Hayworth and the Shawshank Redemption – Renamed as The Shawshank Redemption….well, I’m pretty sure that you’ve all heard of the movie, yes?
Into the Wild – Written by Jon Jon Krakauer, who freaked me out with Into Thin Air, about folks climbing Mt. Everest, Into the Wild is the story of a young man who wanted to live off the land in the wilds of Alaska.
Music Monday – Goth Classical Music
Hey! It’s Music Monday!
There’s nothing I like better on a cold winter’s evening (and sometimes in the summer too) is a cup of Irish coffee and some dark classical music. Whether it be a mournful aria or a draggy dirge in a lovely minor key, the dulcet tones of a sorrowful violin or the lamenting mezzo-sorprano.
I thrive on that shit.
Forget about the dog dying in movies or some drama on television. Youwant to bring a tear to my eye, play me a tune in a minor key. Those gloomy chord progressions will get me every single time.
Here we go.
Dido’s Lament – Dido and Aeneas, Henry Purcell
In operas, someone always dies. Here, it’s Dido. She’s taken poison because her great love, Aeneas, has abandoned her. Grab the tissue and take a look at her first lines: (Belinda is her lady in waiting)
“Thy hand Belinda….darkness shades me….on thy bosom, let me rest…
More I would….but death invades me….Death is now a welcome guest….”
And the great, greatc Jessye Norman brings these lyrics right to your doorstep.
“Remember me….but ah! Forget my fate…..”
Goosebumps!
Moonlight Sonata – Beethoven
One of the comments on this video (paraphrase): “I listen to this in the dark with a cup of tea…like a psychopath”
Frederic Chopin – Waltz in A minor
Sergei Rachmaninoff – Prelude, Opus 2 #2 in C sharp minor
John Williams – Theme from Schindler’s List, Performed by Itzhak Perlman
Go ahead. Get the tissues, sob, breathe, then touch up your black eyeliner and tighten the laces on your Doc Martens. I hope you enjoyed my little gothy list of classical songs.
1Love
Peace, Love, Unity
Dahlia
Blogtoberfest – Loving Among the Dead Playlist
It’s been a while since my first zombie novel, Loving Among the Dead was released through Loose Id. However, no matter how long ago I’ve written a book, the characters stay with me for quite a while. It takes a lot to get into a characters personality- how he or she walks, talks, behaves and reacts in certain situations, and this doesn’t go away very quickly.
With that in mind, I started looking through my Google playlists and found a list of songs I used to evoke moods with my two characters, Jude and Sky.
A little about the book: Jude is my female lead. When the zombie outbreak happened, she endured a scary journey from Philadelphia, where she was going to graduate school, back to Princeton (or thereabouts) where her parents’ lived. She’s a bit spoiled and a lot privileged, however, her parents were survivalists/hoarders, what have you, and they stocked their home with provisions and food, “just in case”. Though her parents are dead when she finally a makes it back home, she stays in her old boarded up home, the only person left alive in her neighborhood. It’s a lonely, scary existence, to be sure.
Then along comes Sky, traveling through solo on his way out of New Jersey to his home state of Tennessee. Before the apocalypse, he’d been a teacher in an urban district, having gone to college on a baseball scholarship.
The two meet in the stock room of a drugstore and Jude ends up allowing him to come stay with her. And as one would imagine, having been starved for human contact for many weeks, they cling together.
That’s the basic premise. The book continues with the push/pull of the relationship, where Sky wants to keep moving South, whereas Jude believes it’s safer to stay in one place.
All that being said, here’s a taste of their soundtrack. Some songs are hers, some are his, and some belong to them both. I’ve included a link to the playlist on YouTube, if you want a listen.
Jude | Sky | Both |
Counting Cars – Snow Patrol | Faster – Matt Nathanson | Don’t You Forget about Me – Simple Minds |
Time after Time – Cyndi Lauper | Don’t Dream It’s Over – Crowded House | Follow you, Follow Me – Genesis |
Invincible – Pat Benatar | Wild Horses – The Rolling Stones | Perhaps Love – John Denver |
Like a Prayer – Madonna | Melt with You – Modern English | Comfortably Numb – Pink Floyd |
Nobody Does it Better – Carly Simon | The Flame – Cheap Trick | Never Surrender – Corey Hart |
Head over Heels – Tears for Fears | Sign Your Name – Terence Trent D’Arby | Born to Run – Bruce Springsteen |
A Matter of Trust – Billy Joel | Hey, Jude – The Beatles | Anthem for the Already Defeated – Rock Plaza Central |
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